Sarah, Professional Fitness Trainer
Your camera is in love with middle gray. The quicker you learn how to deal with this infatuation, the better your photos will look, including all of your color photos.
Camera LCD Display With The Blinkies Turned On. Washed out pixels in the photo are flashing white and black.
Some camera’s come with a highlight overexposure warning, commonly called “the blinkies”. If you have overexposed, blown out pixels, those pixels in your image will flash white and black. A quick look at the LCD image will tell you if part of your image has white, washed out, featureless pixels. If your camera has a highlight overexposure warning, I suggest you turn it on. If you see the blinkies and you don’t want washed out pixels, tone down your exposure until the blinkies go away.
Gretag-Macbeth ColorChecker
This has to be one of the best kept photographic secrets: The more accurate your exposures are, the better your colors will be. Why? If your exposures are off, the colors in your photograph will shift in different directions. You can correct the exposure in post processing, but you can’t correct the color shifts. Since the colors shift in different directions, if you try to correct one color (as you will see below), the other colors will get even worse.
RGB Histogram (upper right) and Luminance Histogram (lower right).
If your camera offers both RGB and luminance histograms, choose RGB. An RGB histogram is one of your most valuable exposure tools. A luminance histogram can lead to bad exposures and poor colors.
Camera LCD Display With The Blinkies Turned On. Washed out pixels in the photo are flashing white and black.
Some camera’s come with a highlight overexposure warning, commonly called “the blinkies”. If you have overexposed, blown out pixels, those pixels in your image will flash white and black. A quick look at the LCD image will tell you if part of your image has white, washed out, featureless pixels. If your camera has a highlight overexposure warning, I suggest you turn it on. If you see the blinkies and you don’t want washed out pixels, tone down your exposure until the blinkies go away.
Sarah, Professional Fitness Trainer
Your camera is in love with middle gray. The quicker you learn how to deal with this infatuation, the better your photos will look, including all of your color photos.
Dawn at Sprague Lake, Rocky Mountain National Park
The exposure compensation scale on your camera is one of the keys to mastering exposures, getting better images, and ending up with professional quality colors. This means taking your camera off of full auto mode and taking control of your own exposures.
It was my happy privilege to do winter portraits of Beth Presler who is a superb violinist. This article has suggestions for photographing any musician on a cold, snowy winter day.
Selina, Downtown Columbus Ohio. Windchill 4°.
You would think a windchill of 4° Fahrenheit (-16°C) would be too cold for a photo shoot, but not with some models. Selina and I booked this January shoot weeks in advance so we knew it would be cold, but we had no idea how cold until the day arrived. Despite the frigid temperatures, Selina did no want to reschedule for later. When we created the image above the windchill was 4°. By the end of the shoot the windchill was 3°. Incidentally, this image made it into my photography book (page 217). Here’s the story behind this image and how to work with a model (or anybody else) when it is so cold.
Denali Sunrise from Reflection Pond
The Sunny f16 rule is really useful on bright sunny days in the spring, summer, and fall, but you can’t rely on it for accurate exposures on bright, snowy winter days. It will often lead you astray and you will have seriously blown out highlights. There are much more accurate ways to meter in the winter.
Cascade, Barry, and Coxe Glaciers, Prince William Sound, Alaska
The “snow exposure latitude” for every camera is different. You won’t find it in your camera’s manual but it is easy to determine with a do-it-yourself test. Why does it matter? If you don’t know the snow exposure latitude for your camera and how to apply it to your images, the color and quality of your winter photos will suffer.
Twilight, Rocky Mountain National Park. Sirius, Canis Major, Orion, Taurus, the Hyades star cluster, and the Pleiades star cluster are all visible in the fading light. Click for a larger version.
You can photograph the night sky year around, but winter brings an added bonus: SNOW! When you don’t have the benefit of moonlight, most of the year land forms a dark to black silhouetted skyline against the night sky. In winter you have the possibility of including the highly reflective snow. You can see both in this photo. Any place not covered with snow is very dark to black. Having reflective snow is why winter is the favorite time of year for a lot of photographers to go out and photograph the night sky.
Snow Hummocks, Merced River
Just like metering daytime winter scenes, the key to metering evening winter scenes is knowing what to meter and deciding how much exposure compensation to use.
Cougar
Most wildlife are medium to dark in tone, making them a challenge to meter properly in the bright, white tones of winter. If you trust one of your camera’s automatic exposure modes, the odds are good you won’t get the best exposure. If you switch over to manual exposure and make the right decisions, you can get great exposures and better quality photos (more about that later).
Elk in the Snow, Horseshoe Park, Rocky Mountain National Park, Colorado
Metering dark toned wildlife in the snow is a major exposure challenge. It is usually best to avoid large “burned out” areas (washed out, featureless white) in a nature or landscape photograph, but with properly exposed snow, the wildlife can be so dark as to lose all texture. On other hand, metering for the wildlife can burn out the snow. So what do you do? And what about the complications of metering white animals?
Kristina in the Snow
The white snow in a winter scene can and often does fool a camera meter into underexposing a portrait, so here are the steps to take to get the right exposure. I throw in a few portrait suggestions too.
Mount Hunter from a Bush Plane. Denali National Park. Alaska.
Metering for scenes with a lot of snow can be tricky since the bright snow fools the camera meter. I see a lot of winter photos with gray snow, which means the camera meter did exactly what it was designed to do. The solution is quite simple provided you know what to do.
Last Light on El Capitan, Yosemite National Park
In addition to all of the usual photographic challenges, winter provides some extra complications, especially in terms of metering. So I began this series of articles on winter photography. Check out the links below. The articles will help you meet the unique challenges of winter photography. So get out there, have fun, and create some great winter images!
The Temple, Independence Missouri
Jewel Box Lighting is a name given to photos taken in the evening when lighted buildings, monuments, bridges, and Christmas lights look so nice against the deepening sky colors. This article will show you how to do it with a digital camera. If you are using a film camera, read this article.
Welcome to my online buying guide for photographers. With over 80 articles it is one of the most comprehensive photography buyer’s guides on the web.
I get lots of photo questions, especially at this time of year, and many of them begin with “What is the best . . . .” They usually come from photographers or someone who is shopping for a photographer. If you are shopping for yourself, or for a photographer in your life, this series is for you.
My “best of the best” series recommends the best photo gear, accessories, software, books, DVDs, online photo labs, and a whole lot more. Thanks to the information in these articles I get emails from photographers thanking me for saving them time, frustration, and a lot of money.
This article is reposted annually in November with some updates in between. Reposted: November 30, 2024. Most recent update: December 19, 2024.
Digital Photography Exposure for Dummies
With 12 books, hundreds of magazine articles, over a dozen instructional videos, and numerous workshops to his credit, digital photography expert Tim Grey really knows his stuff. In one of his eNewsletters, Tim gives this excellent recommendation for Digital Photography Exposure for Dummies:
Welcome to my online buying guide for photographers. With over 80 articles it is one of the most comprehensive photography buyer’s guides on the web.
I get lots of photo questions, especially at this time of year, and many of them begin with “What is the best . . . .” They usually come from photographers or someone who is shopping for a photographer. If you are shopping for yourself, or for a photographer in your life, this series is for you.
My “best of the best” series recommends the best photo gear, accessories, software, books, DVDs, online photo labs, and a whole lot more. Thanks to the information in these articles I get emails from photographers thanking me for saving them time, frustration, and a lot of money.
This article is reposted annually in November with some updates in between. Reposted: November 30, 2024. Most recent update: December 19, 2024.
Anoush, Point Betsie Lighthouse – Overexposed JPEG
On this photo shoot I made a dumb mistake. (It can happen to any of us.) My first few clicks of the shutter were overexposed. When I checked the first few images on the back of the camera I immediately saw the mistake. The overexposed images were shot at f/9, 1/100 second, and ISO 100. They were 1 2/3 stops over Basic Daylight Exposure (BDE). I changed my settings to f/11, 1/200 second, and ISO 100 which is equivalent to BDE. After that my images had good exposures. The first lesson from this mishap is: Don’t get so wrapped up in the energy of a photo shoot that you forget to stop periodically to check your images. To learn more about BDE, see the article linked below.
Tiana, Don Edwards San Francisco Bay National Wildlife Refuge
If you are out hiking and a beautiful woman asks you to take her picture, you should probably says yes! We should all be so lucky, right? Well, we didn’t really meet by chance. Tiana is a first class model and photographer living in the San Francisco Bay Area.
A Quick “Sunny f16” Summary
As long as the sun is high in the sky and not obscured by clouds, haze, smoke, dust, or other particulates in the air, it is a constant light source. That is why the Sunny f16 rule usually works in spring, summer, fall, and also winter as long as there isn’t any snow on the ground. (If there is snow on the ground, read this article.) The Sunny f16 rule, also known as Basic Daylight Exposure (BDE), (or the “fig” rule because f16 hand written looks like the word fig), is pretty simple.
100421_5D_2296. Metering Tools.
Includes:
Thinking in Stops
Exposure Compensation
Exposure Compensation for Subject Metering
Exposure Compensation with a Gray Card
Reciprocity
Estimating Exposure
Basic Daylight Exposure (the Sunny f/16 Rule)
It was my happy privilege to do winter portraits of Beth Presler who is a superb violinist. This article has suggestions for photographing any musician on a cold, snowy winter day.
Selina, Downtown Columbus Ohio. Windchill 4°.
You would think a windchill of 4° Fahrenheit (-16°C) would be too cold for a photo shoot, but not with some models. Selina and I booked this January shoot weeks in advance so we knew it would be cold, but we had no idea how cold until the day arrived. Despite the frigid temperatures, Selina did no want to reschedule for later. Here’s the story behind this image and how to work with a model (or anybody else) when it is so cold.
Denali Sunrise from Reflection Pond
The Sunny f16 rule is really useful on bright sunny days in the spring, summer, and fall, but you can’t rely on it for accurate exposures on bright, snowy winter days. It will often lead you astray and you will have seriously blown out highlights. There are much more accurate ways to meter in the winter.
Cascade, Barry, and Coxe Glaciers, Prince William Sound, Alaska
The “snow exposure latitude” for every camera is different. You won’t find it in your camera’s manual but it is easy to determine with a do-it-yourself test. Why does it matter? If you don’t know the snow exposure latitude for your camera and how to apply it to your images, the color and quality of your winter photos will suffer.