POTD: Stars Trails Over El Capitan

Stars over El Capitan with climbers on the granite cliffs. Yosemite Valley.

Stars over El Capitan with climbers on the granite cliffs. Yosemite Valley. This is a stacked image combing 8 separate exposures. Click to see a larger version.

El Capitan is a splendid sight in Yosemite Valley. Small wonder that for decades photographers have been showing up in droves to photographic the iconic granite cliffs. It is the largest block of exposed granite on our planet.

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Panorama: Yosemite Valley in the Moonlight

Yosemite Valley at Night. Eagle Peak, Yosemite Point, and North

Yosemite Valley at Night with Eagle Peak, Yosemite Point, and North Dome. The vertical light near the center is one of two planes that ended up in this image. Click to see a larger version.

Night photography has its own unique charms, whether it is a dark night with no moon and thousands of crystal clear stars, or with plenty of moonlight which (if you choose) you can turn night into day. And it isn’t all that complicated to do. With the addition of the right gear, you can turn your night time vista into a panoramic photo.

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Jay’s Rock – Finding the Prime Location

Maroon Bells and Maroon Lake. Jay on his rock, Jay's wife, me, and other photographers.

First sunlight on the Maroon Bells at Maroon Lake. Jay on his rock, Jay’s wife, me, and other photographers. Photo © Bob Walker.

In photography, as in real estate, sometimes it is all about “location, location, location”. As the old photographic saying goes: “f/8 and be there.” In the fall that is especially true of mornings at the Maroon Bells. Arrive too late and you will get a less than prime spot and you will have other photographers in your photo instead of a pristine view of just the peaks and Maroon Lake.

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POTD: The Maroon Bells by Moonlight

The Maroon Bells and Maroon Lake by Moonlight with the Milky Way. Colorado.

The Maroon Bells and Maroon Lake by Moonlight with the Milky Way. Colorado. Click to see a larger version.

The Maroon Bells deserve their reputation as one of the best photo locations in the state of Colorado, especially in the fall. They look just as spectacular by moonlight. It is an added bonus if you get a hint of the Milky Way in the frame (left side of the image). It won’t be as sharp and defined as on a dark night without the moon, but it will be there.

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Colorado Fall Color Travel Guide

Aspen and Evergreens, Marshall Pass, Colorado. September 25, 1990

Aspen and Evergreens, Marshall Pass, Colorado. September 25, 1990

This article is updated and re-posted every year. To find the most recent version, go to the Favorites/Most Popular page and look for the name of this article.

Welcome to my first Colorado fall color travel guide with 100 photos and 17 maps. I cover some of the best known fall color locations in Colorado, and one real gem of a road that is mostly unknown to photographers and leaf peepers. Spend anywhere from two days to two weeks exploring the beautiful Colorado Rockies at a gorgeous time of year.

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Proud Rooster: “Take the Picture Now!”

Rooster, String of Pearls, Emira Michigan

Proud Rooster, String of Pearls, Emira Michigan

On the way home from my photography workshop in Northern Michigan, my eyes were drawn to all kinds of vivid colors as I drove through the village of Elmira. I made a mental note to stop and take pictures the next time I was up that way. (If you have been in one of my recent workshops – I was going to put a reminder in “Field Notes” the next time I stopped for a break.)

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Colorado Fall Color Travel Guide

Aspen and Evergreens, Marshall Pass, Colorado. September 25, 1990

Aspen and Evergreens, Marshall Pass, Colorado. September 25, 1990

UPDATE: The most recent and updated version of this article is here.

Welcome to my first Colorado fall color travel guide with 99 photos and 17 maps. I cover some of the best known fall color locations in Colorado, and one real gem of a road that is mostly unknown to photographers and leaf peepers. Spend anywhere from two days to two weeks exploring the beautiful Colorado Rockies at a gorgeous time of year.

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Metering Wildlife in the Snow, Part One

Elk in the Snow, Rocky Mountain National Park

Elk in the Snow, Horseshoe Park, Rocky Mountain National Park, Colorado

Metering dark toned wildlife in the snow is a major exposure challenge. It is usually best to avoid large “burned out” areas (washed out, featureless white) in a nature or landscape photograph, but with properly exposed snow, the wildlife can be so dark as to lose all texture. On other hand, metering for the wildlife can burn out the snow.

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Metering Daytime Winter Scenes

Mount Hunter from a Bush Plane. Denali National Park. Alaska.

Mount Hunter from a Bush Plane. Denali National Park. Alaska.

Metering for scenes with a lot of snow can be tricky since the bright snow fools the camera meter. I see a lot of winter photos with gray snow, which means the camera meter did exactly what it was designed to do and the camera owner didn’t know how to use exposure compensation. The solution is quite simple provided you know what to do.

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POTD: Vermilion Lakes Reflection

Vermilion Lakes, Banff National Park

Vermilion Lakes, Banff National Park

Vermilion Lakes (a string of three side by side lakes) just outside of the town of Banff, Alberta is a great landscape location. On this particular day the light was beautiful. Evergreens are usually quite dark in a photograph but the low side-lit angle of the sunlight was trans-illuminating the evergreens so they glowed a bright green. The lightly dimpled lake was just calm enough to give me a nice, slightly blurred reflection.

Authenticity in Civil War Photography

Civil War Days, Lamoni, Iowa

Civil War Days, Lamoni, Iowa

Civil War reenactors go to great efforts to make sure their clothes and equipment are authentic to the era. So if you want your reenactment images to look authentic it is important that you pay attention to the background. Any large farm equipment, civilian clothes (including cargo shorts), small digital cameras, buildings, and paved streets need to be authentic to the 1860s. And of course if you want a really authentic look, convert your image to black & white.

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A Photography How To: “Jewel Box Lighting” at the Franklin Park Conservatory

Bruce Munro: Light. Franklin Park Conservatory

Bruce Munro: Light. Franklin Park Conservatory

Jewel Box Lighting is the art of combining lights, lighted buildings, or lighted objects with a deep blue evening sky. It is a great way to do photography and the exhibit this week at the Franklin Park Observatory is a wonderful opportunity to practice this technique and come away with some unique and memorable images.

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“Where Were You When You Took Those Photos?”

Mount Rundle, Two Jack Lake

Mount Rundle, Two Jack Lake

Today I was asked by a client where I was when I took some photos in Banff National Park. I was able to provide him with the exact locations, complete with marked satellite images. It is a good idea to known where you were when you created your most important images, and the more specific the information the better. It is good info to have for your own use and sometimes it can make the difference between whether or not one of your images is published.

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Metering Wildlife in the Snow

Elk in the Snow, Rocky Mountain National Park

Elk in the Snow, Horseshoe Park, Rocky Mountain National Park, Colorado

Metering dark toned wildlife in the snow is a major exposure challenge. It is usually best to avoid large “burned out” areas (washed out, featureless white) in a nature or landscape photograph, but with properly exposed snow, the wildlife can be so dark as to lose all texture. On other hand, metering for the wildlife can burn out the snow.

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Metering Snowy Winter Scenes

Mount Hunter from a Bush Plane. Denali National Park. Alaska.

Mount Hunter from a Bush Plane. Denali National Park. Alaska.

UPDATE: A revised and expanded version of this article can be found here.

Metering for scenes with a lot of snow can be tricky since the snow fools the camera meter. I see a lot of winter photos online with gray, underexposed snow, which means the camera meter did what it was designed to do and the camera owner didn’t know how to use exposure compensation. The solution is quite simple provided you know what to do.

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The “One Sunrise Per Day” Limit

Sunrise at Dead Horse Point

Sunrise at Dead Horse Point

For landscape photographers, the “one sunrise per day” limit can be a real challenge, especially when you have several excellent locations to choose from. The same goes for the “one sunset per day” limit. Sunrise and sunset usually have the best light of the day. Photography would be so much easier if we had a couple of sunrises and sunsets per day.

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