Camera gear for Trunk or Treat.
This is the gear I will be taking to photograph Trunk or Treat, a big annual event in Lamoni Iowa. The camera with a 24-105mm lens will be hanging around my neck. The camera with the 70-300mm lens will be hanging from my right shoulder. Two memory card wallets, one for each camera will be in my jacket pocket. The spare camera battery, which will fit either camera, will also be in my jacket pocket.
It has been a really hot summer so I am posting this again as a “save your camera gear” reminder. Camera gear has a temperature and humidity rating. A top of the line Canon camera body has a limit of 115°F and 85% or less humidity. A black camera on a hot day can easily exceed that limit. Less expensive cameras of any brand have lower limits so it is important to protect your gear.
The ideas for this article started with a question about camera gear (see my Mama Killdeer article). A friend of mine was surprised to learn I used a lens that cost less than $200 to capture an image of a killdeer. So I went to the refurbished gear section of Canon’s web site to check some of their current prices. The camera and lens combination above is $200. The lens is a good, general purpose, semi-wide angle to short telephoto lens. (To keep things simple I am rounding everything up to the next dollar.)
I captured this image in a church parking lot in rural southern Iowa. Two years ago she laid her eggs in the same parking lot and successfully hatched her eggs a few weeks later. This summer she did it again.
Summer is here and that means hot weather. So it is time for a “save your camera gear” reminder. Camera gear has a temperature and humidity rating. A top of the line Canon camera body has a limit of 115°F and 85% or less humidity. A black camera on a hot day can easily exceed that limit. Less expensive cameras of any brand have lower limits so it is important to protect your gear.
When you create a digital image with your camera, your camera adds some digital information to the image file. This digital information is called “metadata” and it can be quite useful.
Is a $239 lens as good as a $2159 lens? Much of the time, yes (see the first link at the end of this article). Sometimes no. It depends on the photo situation. I get lots of equipment questions and some of them have to do with photography on a tight budget. I’ve been comparing a refurbished Canon SL3 camera and a refurbished Canon EF-S 55-250mm lens to a Canon 7D Mark II camera with a Canon L series 100-400mm lens.
The good news is most of the time a $239 telephoto lens can do the job of a $2159 lens, but not all of the time (see “Pushing the Limits” in the links below). This article will share a few examples.
Last night (Monday) I was photographing a band concert for our weekly, small town newspaper. The problem is the photo deadline is 5 pm Monday for the Thursday paper and the concert began at 7:30 pm, 2 1/2 hours after the deadline. Depending on where the newspaper staff is in producing the issue, sometimes they can squeeze in another photo or two that come in after the deadline. The sooner I can get them photos, the better, so I sent the paper two photos taken with my iPhone, one of the elementary school band and one of the high school band. But I used a Canon SL3 for most of the concert. I downloaded the SL3 memory card and sent the paper two more photos just in case they were running really late. Why? The Canon SL3 creates dramatically better photos in less than optimum lighting conditions.
Almost every lens has a more or less round “aperture”, the opening that lets light through to the sensor or film. Most modern lenses have aperture blades that open and close to change the size of the opening. You can see the aperture blades in this photo. Larger apertures obviously let in more light in a given period of time and smaller apertures let in less light in the same period of time. The size of the aperture opening is one factor that determines the exposure. Just as important, the size of the aperture helps determine the depth of field in each image.
Photographers with red headlamps. Field Trip, Sprague Lake, Rocky Mountain National Park, Colorado
A red headlamp is an essential tool for night photography. Before you rush out and buy one, make sure it has the most essential feature (other than the red LED). Some inexpensive headlamps have this feature and some very expensive ones don’t, so cost is not the issue.
Digital Photo magazine wrote an article on the top three ring lights for 2021. Ring lights are more flattering since they minimize shadows. And these are reasonably priced.
Umbrella, flash, and flash bracket on a tripod.
Photographers are always looking for ways to soften the light when doing portraits. The light from an accessory flash can be quite harsh so there are a wide range of modifiers to soften the light for more pleasing portraits. Here are my favorites for both on-camera and off-camera flash.
Portable “studio in a backpack” set up and ready to go.
If I am visiting family and friends and traveling by car, I often bring my “studio in a backpack”. I never know when I might be asked to do some portraits and having some studio gear along helps create better images (especially when natural light is not a very good option). If you want to do portraits on the road (or even at home), these items are very useful. You can order these items from Amazon via the link at the end of this article.
AlienBees Studio Lights
For the best combination of quality and price, it is hard to beat AlienBees studio lights. I’ve been using AlienBees in my studio for over 10 years, and like so many other photographers, I’ve been singing their praises. It would be hard to find the same quality for less money.
There are lots of advantages to getting your flash off the camera, and it is probably much less expensive than you think. If you already have a shoe mount speedlite and if your camera has a built in pop up flash a simple $50 optical slave (see below) is all you need to get your flash off the camera.
The ads started showing up on FaceBook all the time. They talk about wonderful lenses that will turn your smart phone into a camera that is better than a DSLR costing thousands of dollars. They brag about German engineering, a NASA optical formula, or the testing that proves their lenses are better than expensive lenses from Nikon, Zeiss, Leica, or Canon. The names of the companies change on a regular basis, but the scam is the same. Sad to say, a lot of people actually fall for this nonsense.
My favorite camera stores are B&H Photo, Adorama, KEH Camera, and Amazon. I will tell you why I like them, and why you should be wary of so many other online camera stores.
The Garmin inReach Explorer+ with built in text messaging.
You need help. You can barely move. You are far enough from the trail that no one can hear your voice. You have no cell phone signal. What do you do?
Every now and then you hear tragic stories about people who lose their lives simply because they didn’t have a cell phone signal and couldn’t call for help in an unexpected emergency. A $260 – $340 satellite communicator would have saved their lives.
Plustek Film Scanner, Epson Flatbed Scanner
If you have precious slides, negatives, or prints that you want to scan, you have come to the right place. Choose wisely from the scanners that are available or you could get burned. A scanner that might be just fine for one person will be totally unsuitable for the next person. When it comes to scanners you need to know what you are getting and, just as importantly, what you aren’t getting. That is what this article is all about.
My grandson inside using my laptop to control the tripod mounted camera outside.
CamRanger provides wireless image transfer from your camera to your laptop or smartphone. CamRanger also give you wireless control of your camera with your smart phone or laptop.
I just purchased the Sky-Watcher Star Adventurer 2i. I read several comparison articles before making my choice. I put it through its paces and decided to write a review with a basic introduction as to how to use it. Not only does it work, it works very well. This photo of the Andromeda Galaxy was taken on my first night out with clear skies.
Camera and 70-200 telephoto lens mounted on an iOptron SkyTracker and iOptron ball head.
You would love to take beautiful, long exposures of the night sky, but even with a 24mm wide angle lens the stars start to streak with exposures longer than 20 seconds. And with a 300mm lens the stars start to steak after just 2 seconds. Not that long ago it would cost you well over $1,000 to buy the equipment that would follow the stars and allow you to take longer exposures.
Incident Light Meter, Sekonic L-358
There’s no question that in some complex metering situations, an incident light meter can be quicker, faster, simpler, and more accurate than the meter in your camera. Many incident light meters can also measure light from an electronic flash, a huge bonus when you are using a flash in the manual mode.
RØDE warning and registration page.
If you aren’t careful, you could end up with a fake RØDE Microphone. If you already bought one, here’s how to tell if it is fake. If you don’t have a RØDE mic, here’s how to avoid buying a fake.
RØDE VideoMicro in use at Acadia National Park.
Let’s face it. While many recent DLSRs, ILCs and smartphones can give you excellent visual quality in the videos, the sound quality of the built in microphone leaves a lot to be desired. For a modest amount of money you can bring the sound quality up to par with the visual quality. That is why video mic sales have exploded.
Really Right Stuff makes an excellent, simple to use panorama set up that won’t take up a lot of room in your camera bag. After using bigger, more awkward panorama gear, switching to Really Right Stuff’s set up was like being in panorama heaven. It is compatible with the Arca-Swiss-System.
Two ball heads and two 3-way heads.
A good tripod head will save you lots of frustration. For still photography I recommend two types of tripod heads. If you do a little of everything you will want a quality ball head for the quick and easy aiming of the camera. If you only do landscape or architectural photography and you want precise separate controls in each axis of motion, you will want a 3-way head.
Looking for a tripod? Choose wisely. Other than a camera and a good lens, nothing can make a bigger difference in your photography than a good tripod. This is the place to find information, recommended models, and links to more information.
Forget-Me-Nots, Thorne-Swift Nature Preserve, Michigan
There are several ways to do closeup photography. Closeup filters, extension tubes, and macro lenses are the most commonly used options. The best gear for you depends on your preferences, how you want to work, the subjects you are after, how much stuff you want to carry, and how much you want to spend. I cover your best options.